Finalmente, um plugin que emula perfeitamente o lendário Nord Stage 4! Neste vídeo, analisamos detalhadamente o WX Stage-IV, um VST incrível com interface idêntica, sons fantásticos e a capacidade exclusiva de carregar samples diretamente do site oficial da Nord Library Sounds.
Se você quer levar suas produções ou performances ao vivo para o próximo nível sem gastar uma fortuna, este vídeo é para você.
Following the recent Orbit and Pulsar reverb and delay effects, Goeran Meyer has announced some new free audio plugins.
MYR Zenith features a complete mastering chain in one window. Twelve modules sit in the order a mastering engineer would build them: utility with mono bass, a mid/side EQ with cuts up to 96 dB per octave, resonance clean-up, harshness control, an opto leveler modeled on a T4 cell, an 8-band multiband for mid and side separately, low end shaping, bus glue, brilliance, saturation, a stereo imager, and a true-peak limiter with soft clip and dither. MYR Zenith
The loudness panel comes with LUFS integrated, LRA, true peak, PSR and PLR, with targets for Spotify, Apple, YouTube and Tidal.
Pick a target, play the loudest part of the track, press LEARN, and ZENITH sets the limiter so the target is met at -1 dBTP. A streaming preview lets you hear what each platform will turn the master down by, and MATCH level-matches the master to the mix so an A/B tells you about tone instead of loudness.
MYR Titan is a 24-band equalizer, and any of the bands can turn dynamic, so a band only moves when its own frequency range actually gets too loud. Slopes from 6 to 96 dB per octave, each band on stereo, left, right, mid or side, and three phase modes including a matched analogue curve that costs no latency at all. MYR Titan
Every frequency read-out also names the note and cents, and LINK — put TITAN on the kick and on the bass, and each instance shows the other track’s spectrum, marks where they collide, and can duck one only while the other plays.
Also new since October is MYR Prism, a vocal harmonizer with three voices and TD-PSOLA formant shifting. MYR Prism
The MYR series plugins are available in VST3 and AU formats for Windows and macOS, free of charge in a single installer.
2Rule has announced an update to its versatile audio plugin designed to enhance the sound of audio recordings. TugMultiEffect features delay, chorus, reverb, distortion, and more.
It has been three and a half years since the last TugMultiEffect update. Version 2.0 is the biggest change since the plugin came out: it is rebuilt around the graph, with five new effects, modulation, a sidechain input and a new look. It is a free update for everyone.
A word about the look. The first version was criticised for a GUI that seemed to come straight out of the 2000s – as if the GUI were what mattered most. People who build plugins for how they sound rather than how they look might say the same. Anyway, I changed a few things, and I hope you like it.
Changes in TugMultiEffect v2.0
Build your own graph: Drag effects onto the canvas and wire them however you like; split the signal, run effects side by side, bring it back together. Five new effects: Ring Mod, Resonator, Modal (plays chords, up to 4 voices), Ducker and Gate. 16 effects in all. Sidechain: Route a kick into the plugin and duck, gate or modulate anything in the graph with it. The Ducker and the Gate have a key filter, and Listen to hear what they hear. Modulation: 4 LFOs – including the wandering Drift and shapes you draw yourself – 4 macros, and an envelope that follows the sidechain. Drag a source onto a node and pick the knob. Cables you can shape: A level, mute and polarity switch on every cable, and Left, Right, Mid or Side splits. MIDI: The Resonator, Ring Mod and Modal follow the notes you play. Undo and redo, a preset browser with search and categories, and 14 new factory presets built in. A new look, light and dark, in a resizable window – and a built-in guide: click the plugin’s name. Fixes for various issues, among them projects that stayed silent until the plugin window was opened, crashes under automation, and a Chorus whose Delay knob did nothing.
The VST3 plugin for Windows, macOS and Linux is a “pay what you like” download, including free.
SEMEDO FIRE SYNTH is a modern software synthesizer for producers who want big, clean sounds fast. It comes with 538 ready-to-play presets, made for EDM, Afro House, Latin House and Hip Hop, and gives you all the tools to design your own sounds from scratch.
538 PRESETS
133 factory presets built into the plug-in 405 extra presets in the Expansion library 208 basses: 52 each for EDM, Afro House, Latin House and Hip Hop 54 leads, 54 plucks, 47 pads, 40 arps, 35 keys, 33 chords, 26 FX,
16 bells, 13 strings, 11 brass
Every preset is level-matched, so you can browse without volume jumps Presets come with named macro knobs and a mod wheel assignment Search by name, category or genre, mark favourites, save your own presets
SOUND ENGINE
4 oscillators with Saw, Pulse, Sine, Triangle, Noise, Sync and FM 10 wavetables (Analog, Vowel, Digital, Harmonic, Growl, Sync, PWM, Metal,
Choir, Formant), 16 frames each
One SHAPE knob per oscillator: morph the wave, pulse width, sync ratio,
FM depth or wavetable position
Up to 8 unison voices per oscillator with detune and stereo width Direct routing: send an oscillator around the filter for a clean sub bass Analog drift for warm, living sounds Clean, alias-free oscillators: bright highs without digital harshness
FILTER
Low pass, band pass and high pass (12 and 24 dB), Notch, Ladder and Comb Drive, key tracking and envelope amount MODULATION
4 envelopes and 4 LFOs (7 shapes, free or synced to your DAW tempo,
retrigger, fade-in)
12-slot modulation matrix with 18 sources and 27 destinations 4 macro knobs to control many settings with one move
PLAY MODES AND ARPEGGIATOR
Poly (up to 16 voices), Mono and Legato with glide (perfect for 808 slides) Arpeggiator with 5 modes, 1-4 octaves, swing, gate and latch,
locked to your DAW grid
EFFECTS
Distortion (Soft, Hard, Fold, Tube, Crush) Chorus, Flanger and Phaser Stereo and ping-pong delay, synced to tempo Lush reverb with size, damping and pre-delay Low and high EQ, compressor, stereo width Built-in safety limiter
EASY TO USE
Clear interface with a live spectrum, wave and filter displays ADVANCED page for deep sound design HELP page inside the plug-in that explains every control Resizable window that remembers its size
WORKS WITH MIDI KEYBOARD
All 16 MIDI channels, velocity, pitch bend, mod wheel, aftertouch,
sustain and expression
MIDI Learn: right-click any knob and move a control on your keyboard Common keyboard knobs (cutoff, resonance, attack, decay, release)
work right away
Pitch wheel lock: the on-screen pitch wheel stays where you leave it STABLE AND LIGHT
Low CPU: most presets use less than 1 % of one CPU core Click-free: knob moves, preset changes and voice changes are smooth Tested with automated audio tests and pluginval at the highest level