Mix Locker is our all-in-one solution that seamlessly integrates into your recording setup, enabling you to quickly find the best sound for your mixes.
Shape your sound with a vast selection of virtual studio gear, opening up almost endless avenues for musical creativity. Immerse yourself in the tones of iconic studio gear recreated in the digital realm
All Mix Locker Modules Also Work With Amp Locker!
Evergrowing Gear Collection
Mix Locker's gear collection is always growing, wishing to meet all your tone needs.
Try out new gear directly within the plug-in interface, opening up a world of sonic possibilities.
Or if you have the subscription, enjoy an ever expanding collection of virtual gear!
Free Virtual Gear
Mix Locker comes with free gear to get you started
Audio plugin for mixing. Used other Eq and filter modules. 2, Added a high-pass cutoff filter and the ability to adjust the Q. 3, Eq - digital values now accurately display the selected frequency. 4, Added Soft-Clipper, you can choose between hard and soft. 5, PanningRoom has a binding to the "ball" of changing the volume, high-frequency cutoff, pre-delay of the room. Added Proximity-Proximity, Unison - a short parallel delay for doubling.
You can select animator players and change the view of the scene. 6, Fixed a bug in the resonance modules (in the first version, the dynamics were lost when collapsing the interface and the resonances were removed in statics, with the GUI open, it worked in dynamics) 7, In the Compressor, one more tilt position (Knee) and a choice of ratio (Ratio) were added. Soft-Mid-Hard 8, Added a second type of dynamics control to choose between compression and volume equalizer (Leveler) Leveler is smoother and cleaner, without adding color. 9, The interface now has four colors 10, Added several saved settings (Presets) 11, Random minor introduction of differences in settings, to eliminate static and simulate discrepancies between channels of one console (Random Channel) 12, Double-clicking the mouse returns the regulator to the initial position, the RESET button resets all settings of all parameters to the initial. 13, . Regulators that do not have names on the interface have tips when you hover over them with the mouse. 14, Holding CTRL makes the rotation of the regulators slow for fine tuning. 15. Mono variant, got a room window and a choice of musicians.
YS - Channel Strip Old 2FF_v.2.7.0 Audio plugin for mixing. Planin variant with equalizer based on fast Fourier transform. Pannig Room, replaced by new version - 3 with delay and reverb effects block. This update is for Windows users only.
MH Lifter is a specifically mid- and high-frequency augmentation tool meant to highlight the best in your music, not simply another EQ plugin. Though this plugin is really a full-fledged powerhouse for improving your mix with clarity, presence, and definition, easily allowing your music to shine through, it seems shockingly simple.
Almost any audio you toss with it—including instruments, percussion, voices, and practically any booster—this one works with. Targeting the high-end for air and sparkle and the vital mid-range for punch guarantees that your sound will never once turn muddy or dull.
MH Lifter's simple and remarkably sensitive controls let everyone experience professional-caliber progress. It's designed to produce bold, clear effects without being abrasive.
MH Lifter is a pro-grade VST plugin that adds clarity, shine, and energy to your mids and highs. Perfect for vocals, synths, or full mixes – dial in the magic instantly.
SPECS
Size: 22.7 MB
Formats Included: ST 2, VST3 (AU COMING SOON)
System Requirements: Windows (64-bit)
Content: Mid And High Enhancer
Works With: Fl Studio, Ableton Live, Studio One, Reaper Cubase + more
Meldaproduction has introduced a new premium instrument for its MSoundFactory series of virtual instruments. Offered for free for a limited time, Analog Empire: Plucks & Keys offers over 30 deeply sampled real synth multi-samples designed to bring that coveted rich analog character to your productions.
We’ve engineered it so you can layer two distinct sounds and dynamically blend them based on the key played or velocity, offering incredible expressive potential. Sculpt your perfect sound with unique “pluck” and “drift” controls, a versatile multi-mode filter, a precise amp envelope, and an inspiring effects section featuring chorus, ducking reverb, and a lo-fi tape effect.
Whether you’re crafting expressive melodies, emotive arpeggios, or rhythmic chord progressions, Analog Empire excels at delivering expressive plucks and keys that are a true joy to play.
A free license of Analog Empire: Plucks & Keys is available until June 8th, 2025 (regular €69 EUR). Existing owners of MSoundFactory or MSoundFactoryLE can download Analog Empire: Plucks & Keys for from the MPluginManager.
The offer is available at the Meldaproduction store and from Plugin Boutique.
Analog Obsession EDComp v1.0 VST3 AU AAX WIN MAC [FREE]
Pre-emphasis and De-emphasis based compressor with 'CLEAN' mode.
EDComp has S-Type based channel compressor trick with ratio and threshold. This means while threshold fixed at high value, ratio will start from 1:1 and goes up to 10:1. This will give you smoother control with better leveling.
EDComp will emphasis and de-emphasis lows and high in ED mode. This is kind of tilt eq but not at exact frequencies while emphasis and de-emphasis. Carefully selected frequencies and boost/cut values especially for vocals but usable with any source.
Resizable interface. Simple "Bottom Right Corner Handle" to resize. 50% to 200%.
*Resizing Tip: When you duplicate plug-in, it will remember current state of GUI size. But if you load new instance, it will be opened at default size. To get rid of this issue, simply follow these steps;
1. Open plug-in for the first time
2. Resize GUI according to your screen resolution or you liking before setting any knobs
3. Save this state as default preset with your DAW
Now, you will be able to load new instances with same size.
(If you want to go default size, simply double click to resize handle.)
FEATURES:
- AMOUNT : Will set amount of compression.
- BUTTON : Will select modes. ED (Emphasis/De-Emphasis), CL (Clean) and Bypass.
- OUTPUT : Clean output to set final level.
- MIX : Will blend processed and dry signal.
Available Formats
VST3 / AU / AAX Native - Audiosuite | Mac 10.11 or Higher | Intel / Apple Silicon
Fender has introduced an all-new software for recording, jamming and capturing creativity wherever and whenever it strikes. Available on iOS, Android, macOS, Windows and Linux, Fender Studio is a free tool available for anyone looking to record, practice or just have fun playing along with Jam Tracks.
Compatible with audio interfaces on mobile, tablet and desktop devices, Fender Studio makes it easy for players to capture guitar riffs, vocals and more, with just one tap. Packed with powerful tones, Fender Studio is the only app of its kind with authentic Fender amp models.
Building on nearly 80 years of sonic innovation, Fender continues to empower musicians by expanding into the digital space with apps like Fender Studio, providing all the tools needed to create. As the maker of legendary guitars, basses, amps and accessories that have shaped musicians worldwide, Fender continues to revolutionize how artists create and record.
Fender Studio adds to the company’s existing digital apps including Fender Play, Fender Tone and Fender Tune to deliver a complete platform where musicians can learn, practice, perform and now record their music. By providing the entire signal chain from instrument to recording, Fender Studio makes recording accessible to guitar players and music creators at every level making it faster to capture and share ideas digitally.
“I’ve always said to the team, anyone should be able to just hit a single button on their phone and be able to start recording,” said Fender CEO Andy Mooney. “We’ve built exactly that. We believe Fender Studio will enable more music creation than ever before by serving the needs of today’s creators and that will drive sustained growth for our company and our industry. I’m proud of what the team has created and can’t wait to hear what gets recorded in Fender Studio.”
Fender Studio shares DNA with the award-winning digital audio workstation, Studio One Pro, offering users access to world class recording, editing and production capabilities. Fender Studio brings this heritage to a mobile-friendly user interface that’s quick and easy to use. Key capabilities include:
One-tap recording: The fastest way to get started without a complicated setup; start recording the moment inspiration strikes.
Authentic Fender amp and effects models: Record and jam with the sound of authentic Fender Mustang and Rumble Series guitar and bass amplifiers. Includes a ’65 Twin Reverb guitar amp Rumble 800 v.3 bass amp, five FX pedals and an integrated tuner—plus six additional amps and effects upon registration for free with a Fender Connect account. Start shaping tones from scratch or use any of the included presets to get to playing quickly and easily.
Jam Tracks: Play along with 20 professionally recorded, fully editable jam tracks—ranging from pop ballads to metal. Each track is a complete multitrack audio session, with options to transpose, mute, solo, speed up or slow down individual parts.
Studio Quality Audio Editing Tools: Dial in the sound of your recordings and mix with Compressor, EQ, Reverb, Delay and fun vocal effects like De-Tuner, Transformer, Ring Modulator and Vocoder.
“Fender Studio represents our continued commitment to providing players and musicians of all levels with great sounding, easy to use recording tools,” said Max Gutnik, EVP & GM of PreSonus, Jackson, Charvel, Gretsch and EVH Brands. “Whether you are new to recording or a seasoned pro, Fender Studio delivers authentic Fender tones and intuitive editing capabilities to record, jam, create and inspire, for free. We are super-excited to release Fender Studio and hear all the amazing music it will help bring into the world!”
Fender Link IO
For guitar players looking to record directly into Fender Studio, Fender’s new pocket sized audio interface, Fender Link I/O, offers easy compatibility.
Fender Link I/O provides an exceptional latency-free recording experience allowing guitarists to track and monitor their performance without any delay. Fender Link I/O is built with an input stage designed to replicate the dynamic response of Fender’s world-famous amplifiers, offering high-quality 24-bit / 96kHz audio for studio-level recordings wherever and whenever musicians are inspired.
Crafted for guitarists to on-the-go creatives, Link I/O and Fender Studio offer the easiest and quickest way to start recording guitar on mobile or desktop applications. Additionally, Fender Studio works great with a variety of audio interfaces that are compatible across users’ devices.
Lushtraq is a VST3 (Windows 64-bit) multiband compressor with saturation, built for precision dynamics control and musical tone shaping. This powerful tool combines per-band compression, analog-style saturation, and intelligent workflow features to help you mix faster and more effectively.
Each of the four bands includes a uniquely tuned signal path with custom compressors, tailored saturation curves, and wide-knee dynamics — all optimized for their specific frequency ranges. The result is a natural, musical response that makes Lushtraq much more than a typical multiband compressor with saturation.
Minimal-phase crossover filters ensure clean transitions between bands, preserving phase integrity and mix clarity. Real-time gain reduction meters, per-band mute controls, and external sidechain support give you hands-on control at every step.
At the heart of Lushtraq is an AI-powered Smart Assistant that offers loudness-based, genre-specific, and platform-ready suggestions. Whether you’re working on vocals, mastering a track, or mixing for streaming platforms, the Smart Assistant helps you make confident, informed decisions quickly.
*Please read the end user license agreement (EULA) before downloading and installing this software.
MT Power Drum Kit is a free drum sampler offering the powerful, high-quality sounds of an acoustic, realistic drum kit. Samples have been specially recorded and processed to make them ideally suited for use in pop, rock and metal productions.
The MT Power Drum Kit Sampler differs from other, expensive drum samplers in that we have already pre-processed the sounds with compressors and EQs to make them a perfect fit for any mix. This is precisely where many drum sample programs fail. Some of the expensive plugins available on the market deliver a highly natural and dynamic drum kit sound as a solo instrument, but many fail as soon as they are supposed to be used for a complete mix in a powerful pop or rock production.
Either the kick drum suddenly sounds much too slack or fuzzy in the mix, or the snare drum, which initially sounds natural and dynamic in solo mode, suddenly gets lost in the background in the overall mix, drowned out by the guitars and other instruments. But this is exactly where the MT Power Drum Kit is strongest. Its kick and snare drums come through clearly in any mixing situation – and still sound natural and not overly compressed.
The compressors built into the channels give you even more control over the level of compression.
You can choose from thousands of assorted rhythms in the comprehensive Groove Library and compose your own drum accompaniment. In particular, the innovative functions for creating fills generate very smooth and realistic drum tracks (see video).
Because we used high-quality cymbals and microphones for the recordings, the crash, ride and hi-hat cymbals sound especially refined and pleasant at various velocities.
As early as during microphoning of the set and recording of individual samples, we took great care to replicate realistic circumstances. Although doing so is almost impossible, we broke with tradition in sample recording, which calls for capturing every sound individually; Instead, our studio drummer played entire grooves. Then, we cut most of the necessary sounds out of the grooves, in various velocities, and processed them to deliver samples as realistic as possible. This is especially clear with our hi-hat samples, for instance. On the right-hand side, you can listen to demo tracks to hear the impressive results.
System Requirements:
PC: Windows 11 / 10 / 8 / 7 / Vista / XP
Mac: OS X 10.5 or higher, Intel or ARM (M1/M2/M3) cpu
Linux: Wine + VST bridge
MT-PowerDrumKit will work in most hosts that support the VST, AAX or AU standards.
Browse, slice and transform your samples with ease
Version 2.0 adds a powerful browser, standalone application and much more features.
Browse Individual Loops
Utilize the powerful new browser to quickly navigate through hundreds of thousands of loops and samples. Looking for RnB guitars? Just a few clicks and you're previewing exactly what you need. Need Bluegrass banjo loops at 90 BPM? They're right there too. The browser makes it effortless to filter by instrument, genre, key, tempo, and more - whether you're exploring Big Fish Audio’s massive library or searching through the content you already own. It’s fast, intuitive, and built to keep your creativity moving.
Slice Effects
Apply 18 different effects to specific sections of your loop. Alter each slice individually with effects like pitch, stutter, delay, reverse, and more.
Load Your Own Samples
Drag and drop any WAV or AIFF file into the plugin and use the power of Momentum to create something new. And with a Momentum Pro subscription, you can now use MP3 files!
Slice & Chop With Ease
Add slice points to chop, stretch, and manipulate your samples into something completely unique.
Edit With MIDI
Each slice gets automatically assigned its own MIDI note so you can rearrange and play loops in a way that fits your music.
One-Shot Engine
Find those perfect one-shots in any section of a loop or sample. Simply slice and play.
Construction Kit Player
Spark an idea with the easy to use construction kit layout from one of Big Fish Audio's kits. Have every piece of your next track at your fingertips.
Ragnarök is a software instrument for Microsoft Windows (VST2/VST3/CLAP/AAX) and Apple macOS (VST2/VST3/CLAP/AU/AAX) simulating a custom-built one-of-a-kind analog synthesizer from 1980. It is written in native C++ code for high performance and low CPU consumption.
Ragnarök is the collaborative work of Hans Peter aka CrimsonWarlock aka TechnoGremlin (synth concept, GUI design, user manual, patch programming) and Björn aka Full Bucket (DSP+GUI+patch programming). Read more about the background of this project in the user manual and in the respective KVR thread!
The main features of Ragnarök are:
Up to 64 voices polyphony including portamento
Unique band-limited oscillator bank
Additional white noise generator
Multi-pole zero-delay feedback filter (6–12–18–24 dB/Oct low- or high-pass)
Two envelopes (ADSR or AD) with exponential slopes
Low frequency oscillator
Built-in and Chorus effect plus 7 band graphic equalizer
Cool repeat/pseudo arpeggiator functionality
Supports MTS-ESP by ODDSound dynamic micro-tuning
Resizable user interface (not "N" version!)
MIDI Learn – all parameters can be controlled by MIDI CC
K-Nation is inspirated by the Novation K-Station Synth. Its made for all kind of sounds,
such as basses, leads, pads & plucks, the synth is packed with 300 presets to make the best sounds for you, just enjoy this freebie and start make your own sounds.
There are 2 banks included with 300 presets in each bank in this package!
(Specifications).
Zoom: From -50% up to +50%.
Polyphony: Up to 8 voices polyphony.
Unison: 8x Unison for each oscillator with detune & retrig.
Preset Manager: 128 presets with (Save / Load / Save Bank / Load Bank / Copy / Paste / Init Preset).
OB-Xd is a classic synthesizer that captivates musicians with its rich, full-bodied tones and expansive sound design. Perfect for adding a vintage touch to electronic tracks, live recordings, or film scores, OB-Xd brings unique and expressive qualities to your music. Designed to recreate the Oberheim OB-X, it features enhancements like micro random detuning and unison for a fuller sound. Elevate your studio setup and music production with OB-Xd today.
What's New in OB-Xd 3:
Unlock Bi-Directional MIDI Control: Now with MIDI Out for true bi-directional communication. Mirror your MIDI CC from XML templates or create custom setups with MIDI Learn. When MIDI Out is enabled, it sends CC output to channel 1 (for all channels) or the selected channel. Ideal for controllers like the TouchOSC template or SFC-OB, enhancing your control and creativity.
New Unison Voices: This feature allows you to add multiple voice layers to each note played, creating a fuller and richer sound.
You can choose from 1 to 16 voices, where each additional voice adds complexity and depth to the sound. For the best effect, use this with the spread control set at half or higher to clearly distinguish the layered voices. This parameter is ideal for enhancing pads, leads, and basslines, offering a thicker, more immersive sonic character.
Enhanced Oscillator Features: The update introduces new Pulse Width Modulation Controls for intricate sound shaping, enhancing the sonic possibilities of the oscillators.
PW Offset: Adjusts the pulse width of Oscillator 2 with a unipolar knob based on the PW knob's setting.
PW Env: Modulates Oscillator 2's pulse width with the Filter Envelope.
PW Env Both: 1+2 button allows the Filter Envelope modulation to affect both oscillators' pulse width.
Advanced Filter Capabilities: Including Self-Oscillation, Filter Falloff Adjustment, and Adjustable Filter Envelope Shape, providing more control and variety in sound filtering.
Self-Oscillation: The 12dB filter now self-oscillates at high resonance levels.
Filter Falloff Adjustment: A new FLT CMP knob in the Voices section influences cutoff scaling.
Adjustable Filter Envelope Shape: Blends between exponential and linear shapes for the attack.
Filter Envelope Inversion: A new button for inverting the Filter Envelope output.
Enhanced Filter Keytracking Control: A refined knob offers precise control over the filter's response to keyboard tracking.
Level Difference Knob: Ensures consistent audio output during filter adjustments.
Refined Attack Envelope Shape: This feature introduces a sophisticated logarithmic-linear attack slider, offering unparalleled flexibility for dynamic sound sculpting. The slider enables users to precisely control the attack phase of sounds, ranging from subtle, gentle slopes for softer onsets to sharp, aggressive inclines for more pronounced attacks.
This dual-mode approach allows for a wider array of sonic textures, providing musicians and producers with the tools to tailor the attack characteristics of their sounds, whether they're aiming for a natural, smooth progression or seeking a more abrupt, impactful onset.
Oversampling Selection: Available in the registered version, this feature offers options for different sound quality requirements, including no oversampling (1x), 2x, or 4x.
MIDI and Preset Bar Enhancements: Improved usability and functionality, making it easier to manage and access MIDI controls and presets.
LFO Synchronization: Ensures perfect timing by syncing the internal LFO with your DAW's BPM.
Supported Formats:
Universal Binary 2: Native Intel and Apple Silicon.
Standalone Application: No additional software required.
ProTools AAX. Apple Audio Unit. Steinberg VST. Steinberg VST3. LV2.
Hybrid modeling drum kits featuring synthesized drums sound in classic analogue synthesizer such as TR-808, MS-20, Minimoog and others. Incorporating all-time classic analogue instruments with modern High-End processing hardware and production technique. A key innovative feature in Supreme Drums is its Fusion Effect System. Powered by groundbreaking AI technology, Fusion Effect combines EQ, dynamic processing and transient designer into only three easy-to-understand controls.
This effect can make an effective change in sound on the fly without the need for vast professional knowledge to carry out the operation.
A standout feature of Supreme Drums One is its support for MIDI 2.0 and MPE, offering users an entirely new way to interact with the instrument through their devices. The higher resolution of MIDI 2.0 provides more precise control over the sound, along with numerous advantages when used with the latest MIDI 2.0-compatible keyboards and controllers. Notably, this is the first time the Fusion Effect can be directly controlled via MIDI controllers using MIDI 2.0’s highly detailed controller messages.
Key Features:
Hybrid Modeling technology with a small size (45MB)
Innovative Fusion Effect Unit
Support latest MIDI 2.0 and MPE
Provides VST3 Version （Now only Windows Version, as Mac Version now need signing and notarize, it will take more time）
Amped Roots 2.0 is made in collaboration with our good friend Ryan "Fluff" Bruce and the sims featured are the best amps from Fluff's personal collection. This plugin runs ML Sound Lab's Vorna Amp Modeling, indistinguishable from real tube amplifiers.
3D CAB SIM
Amped Roots features a 3D cabinet simulator that allows you to mix and match cabinets to dial in your tone. You can move the mics from the middle to the edge of the speaker, front or back and even angle mics to get a beefier sound. Choose from 3 cabinets: Mega Oversize, Freeman V30 and Freeman M25 with 4 microphone options or load in your own IRs.
Pedalboard
Amped Roots 2.0 features a pedalboard with high quality effects pedals and studio effects.
Included pedals:
• Noise Gate
• Compressor
• Drive Pedal
• Chorus
• Analog Delay
• Reverb
Standalone
Amped Roots 2.0 comes with a standalone program that is MIDI controllable and stage ready.
Tuner
The latest Amped platform includes a reliable and precise guitar tuner section.
NEW AMPED FEATURES
This plugin runs on our latest Amped engine that includes a reliable tuner, MIDI capabilities and a standalone app making it extremely versatile.
TBPA Volume allows you to control the volume of the audio signal independently from the volume fader of the mix console. This is useful for adjusting the gain/volume between different plug-ins within a plug-in chain or for volume modulation/automation.
Product description
TBPA Volume allows you to control the volume of the audio signal independently from the volume fader of the mix console. This is useful for adjusting the gain/volume between different plug-ins within a plug-in chain or for volume modulation/automation.
TBPA Volume supports sample accurate parameter automation (VST3/CLAP/AU). Alternatively the parameter changes are smoothly interpolated.
TBPA Volume suppresses aliasing during high-frequency gain changes.
Features:
click-free 64-bit internal processing
master volume fader, left/mid and right/side fader
left/right, mid/side processing
adjustable min/max volume values
treat min value as negative infinity
lock max volume to 0 dB
volume modulation display
smart power button
smooth parameter interpolation
low aliasing
support of sample accurate automation (VST3/CLAP/AU)
My younger brother strikes again. I mentioned in the story of my previous submission, the LaPaz Guitar, how my younger brother wanted to learn guitar. What I didn’t mention in that story, is that the guitar would have been the umpteenth instrument he would have tried his hand at at that point. He’s played recorder, violin, xylophone, and a few others I can’t even remember. However, none of the instruments he’s tried his hands at have captivated him as long as his current instrument, the tenor saxophone. Where the other instruments held his attention for a year at most, he’s been playing saxophone for well over four years now, and even plays in the local intermediate orchestra. Having said all that, I never even thought about sampling him playing the sax.
Then, a few months ago, I had to do a project for school; me and a few classmates had to write and orchestrate a piece of balkan brass music. This composition had to include obvious distinct sections, one recorded instrument, one synthesised instrument, and one sampled instrument. Me and my team got to brainstorming who would do what, what we would record and sample, and what we would synthesise. The last part was the easiest, as we luckily had someone on board who was quite good at sound design, who also offered to synthesise a trumpet. The tricky part was figuring what to sample and what to record, as we didn’t know anyone who played brass. However, I then realised, I did know someone who played a brass woodwind: my younger brother! So me and my brother booked a few hours in one of the school’s recording studios, along with a small assortment of microphones, and got to work.
This is also my second experiment with multi-microphone recording setups, and my first voyage into mic controls. Admittedly, I used a somewhat unorthodox recording setup for this. One cardioid microphone (the Close Mic) about half a meter in front of the sax, a figure eight microphone (the Mid-Room Mic) about two meters from the sax with the sensitive side aimed towards the sax, and an omnidirectional microphone (the Far-Room Mic) behind the sax in a corner of the room. Though I don’t have a lot of experience in recording, I’ve found that I quite enjoy having a more roomy sound, hence this setup, as it both nicely captures the sax, and the room around it.
We recorded two octaves, with three velocity layers per note, and three round robins per velocity layer. We also recorded the various pads and keys of the sax, which I mapped onto the lower keys of the keyboard, free for you to add in as you please. I also have these sounds their own volume knob.
The one crux of this library, I think, is the volume disparity between velocity layers. I tried to fix that as best I could, but didn’t go too far with it for fear of disturbing the noise floor too much. Still, I don’t think it’s too big an issue.
In the end, I’m really happy with how this project turned out! I’ve got a few other sample libraries in the works which I’m slowly working on, and I want to experiment with true legato in the future as well, so this is not the last you’ll hear from me.
A Cinematic Piano Experience for Decent Sampler Felt & Fog is a minimalist, ambient, and neo-classical piano library designed for composers, producers, and sound designers seeking depth, texture, and atmosphere. Whether you’re crafting delicate piano themes, cinematic soundscapes, or eerie documentary underscores, this library offers six expressive layers to shape your sound.
Waves Audio has announced the release of a bundle pro-level tools used by some of the world’s top producers and engineers, at no cost. The Waves Free Plugin Pack contains 7 plugins.
From beautiful analog saturation and classic analog-modeled EQs and compressors, to specialty reverbs, FX pedals, and even a powerful FM synth—this pack includes high-end plugins you won’t find in your DAW’s stock library. Plus, future updates for the Free Plugin Pack are also free!
The bundle contains the following plugins:
Lil Tube analog saturation plugin.
IR Live convolution reverb, capturing the real-world acoustics of world-famous spaces.
GTR Solo, including many FX pedals and amp sims, good for synths, guitars, vocals, drums.
Flow Motion FM Synth.
In addition to these plugins, the pack also includes the Waves StudioVerse plugin chain library, which includes many custom mixing chains specific to this bundle of plugins.
The bundle is available now, limited to one registration per account.
Numa Player is a completely free virtual instrument. It's not only the perfect companion for your SL Keyboard, but it is also much more! The User Interface scales to different monitor sizes to fit best in your Audio/MIDI setup and makes Numa Player the first Studiologic Instrument Player available for Mac, Windows and iOS.
The advanced sound engine of Numa Player 2 takes your performance to the next level. It's now optimized to harness the full power of your device's multi-core cpu, delivering exceptional performance and ultra-low latency even in the most demanding setups1. Enjoy higher polyphony and smoother playback, no matter how complex your project gets.Designed with ultimate flexibility in mind, Numa Player 2 allows you to create and manage infinite Zones effortlessly. Add, duplicate, or drag and reposition zones with ease, all within an intuitive interface that puts full creative control at your fingertips. Customize each zone with its own sound parameters, keyboard ranges, and MIDI settings, or even assign custom colors for clear and easy navigation during your performance.
Numa Player 2 comes packed with an extensive library of professionally recorded, high-quality sounds, covering a wide range of music genres and styles. Among Acoustic Pianos, punchy leads, orchestral textures and intricate percussive elements, find the perfect sound to bring your music to life.Acoustic
Created in 2005 and still going strong. Podolski is a free, straightforward, CPU-efficient virtual analogue synthesizer. One oscillator, one filter, one envelope and an arpeggiator / sequencer. Simple, but with a few tricks up its sleeve. Create high quality sounds with ease.
Podolski UI
See all features:
Oscillator with variable symmetry (sawtooth to triangle, PWM) and glide
Polyphonic (up to 16 voices), mono, legato and arpeggiator modes
4 envelope modes: ADSR or HDSR, linear or exponential. Sustain has Fall/Rise control
Multimode filter: lowpass, bandpass or highpass with drive and FM
Combination arpeggiator / 16-step sequencer with extra modulation source
Skinnable UI
Over 300 factory presets
NEW in v1.2.3: Support for Oddsound MTS-ESP
At the time we released our current plugin versions, Avid could not provide an AAX SDK that would let us build Universal Binary AAX plugins. For this reason, we currently cannot support Pro Tools for Mac. Pro Tools for Windows is still supported.
For the time being, macOS Pro Tools users who are not running the native Silicon version should use the previous versions of our plugins, available from the Release Archive.
We hope to start work on native Silicon AAX support this year, as soon as our tight schedule allows. No ETA can be quoted yet.
Violin One is a free virtual instrument that takes a completely new path. Unlike the Hybrid Modeling technology used in many of our other instruments, Violin One combines physical modeling with behavior modeling. This results in a smaller footprint and excellent playability.
A standout feature of Violin One is its support for MIDI 2.0 and MPE, offering users an entirely new way to interact with the instrument through their devices. The higher resolution of MIDI 2.0 provides more precise control over the sound, along with numerous advantages when used with the latest MIDI 2.0-compatible keyboards and controllers.
Violin One is a virtual instrument with great potential, and we’re committed to continuously improving it. We greatly value user feedback—it’s the driving force behind the evolution of Violin One.
Key Feature:
Physical Modeling technology with a small size (20MB)
Embodied Microphone Modeling and 3D panner Effect Unit
Support latest MIDI 2.0 and MPE
Behavior Modeling on different techniques
Provides VST3 Version （Now only Windows Version, as Mac Version now need signing and notarize, it will take more time）
Okay. We admit it. We’re giving this incredible violin away in hopes of luring you in, of getting you interested in our other products. Yes, surprising as it may sound, we actually would like you to BUY something from us so we can keep the virtual doors open and keep on developing cool new products like our other amazing products like below.
The ultimate and NOW FREE guitar tone and effects software from Atomic Amplifiers!
Tonocracy Combines
Atomic’s all-new, cutting edge SchemAccurate amp simulation, our proprietary ToneSnap gear snapshot technology, and a suite of rapidly growing world-class effects into a single easy-to-use plugin and standalone app.
ToneSnap
ToneSnap gear snapshot technology recreates the detailed sonic representation of your own amps, cabs and pedals using our state-of-the-art AI-powered algorithms. Follow a quick, simple procedure with any audio interface, and Tonocracy will analyze your gear’s audio DNA and convert it into a portable, playable snapshot. But you don’t need to create your own – we have a rapidly-growing library to suit all tastes and playing styles. Quickly search for the perfect ToneSnap across an online library with content from a range of creators, from top names you already know to individual community members. Got an amazing specimen of an amp? Publish your own ToneSnap to share it with the world!
Tonocracy doesn’t require a powerful computer or dedicated graphics card – all processing is done in the cloud with our GPU servers, and you don’t have to worry about manually uploading or downloading files. Simply set up your amp, start the ToneSnap process, and within minutes you can get back to making music while we do the work in the background. When everything is ready, just a couple clicks will bring the new ToneSnap into your personal library, ready to use
Frustrated by other capture or profiling technology that always sounds under- or over-gained, or needs a particular piece of hardware to guarantee consistency? Tonocracy solves this problem once and for all. We’ve made sure that ToneSnap creators have the tools to easily and precisely calibrate any audio interface, taking the guesswork out of gain staging. When using any ToneSnap created with our procedure, the experience is as if you plugged straight into the real amp. When sharing a ToneSnap with other users, you can be confident that it will sound as intended, regardless of their interface.
Bring your tracks to life with high-quality room sounds.
FREE
PhiVerb
RoomLite is a high quality room reverb that makes your tracks come alive with its realistic emulations of small to medium-sized spaces. It uses the same room algorithm that is also featured in its parent plugin PhiVerb, and you can get it completely free of charge!
How to get it
Simply sign up for an account by clicking on the user icon at the top right (or in the drop-down menu if you are on mobile). After this, you will have access to the dashboard, where you will find the download for the installer as well as your activation key.
The same installer also gives you access to a free 14 day trial of PhiVerb, which offers extra functionalities and three additional algorithms that can cover all of your reverb needs.
Click here for the full guide.
Algorithm character
RoomLite’s sounds go from adding a subtle sense of dimension to producing clearly perceptible tails that almost border on hall reverb territory. Just like in a real room, the early reflections mound seamlessly into the tail, with a character can range from claustrophobic to open. The “Damping” parameters let you recreate anything between a muffled closet to a tiled room.
After installation, please load the plugin in an empty DAW session and check its functionality.
Please read
the manual: https://zl-audio.github.io/plugins/zlequalizer/
the plugin installation help page: https://zl-audio.github.io/help/plugin_installation/
Changelog:
BREAKING: use the new compressor model from ZL Compressor
dynamic filters will sound a bit different
dynamic filters (especially if under dynamic high-quality mode) become more efficient
dynamic filters will produce expected results under extreme knee width settings (see #156)
BREAKING: smooth filter frequency/gain/Q changes
quick move/automation of frequency/gain/Q will have fewer artifacts
filter parameter automation will take more CPU usage cause it now changes filters per sample (see the manual)
change the external side-chain button position to the top-right corner
since it is not a per-band parameter, top-right corner seems to be a better place
change several button icons (see the manual)
the old ones are not intuitive enough
add English 简体中文 繁體中文 Italiano 日本語 Deutsch Español tooltips
日本語 Deutsch Español tooltips are translated by ChatGPT. I cannot ensure the accuracy of the translation. If you observe incorrect translations, please report them to me or submit a pull request.
add FFT db scale choice (see #147 and the manual)
add loudness match (see #154 and the manual)
add solo shortcuts (by right-mouse-button double-clicking with Ctrl/Command on the band button)
add side-chain swap (see the manual)
fix macOS standalone audio input permission request (see #146)
fix curve db scale (see #148)
fix multi-band selection (see #149)
improve GUI performance
improve DSP performance (especially for high-order filters and dynamic filters)
En abril de 2010 comenzó a funcionar el estudio de mastering Lado b. Este año, 2025, celebramos 15 años de actividad. Para conmemorar este hito, lanzamos el presente audio plugin, el cual refleja, de alguna manera, la sonoridad del estudio a lo largo de estos años. ¡Gracias por confiar en nosotros!
Nuestro audio plugin no tiene fines comerciales. Las representaciones estéticas de nuestra imagen no buscan asemejarse a otros productos, sino simplemente rendir homenaje al sonido que nos ha acompañado durante todo este tiempo.
Formatos soportados:
VST3, AU, AAX*
*Algunas versiones de Pro Tools 11 no admiten el plugin
Download AmpliTube SVX by IK Multimedia at Audio Plugin Deals
IK Multimedia AmpliTube SVX FREE
Audio Plugin Deals has launched a promotion on IK Multimedia’s bass gear collection. Offered completely for free, AmpliTube SVX brings a collection of amps, cabinets and stompboxes based on Ampeg gear.
Get the iconic sounds behind countless recordings, from the Rolling Stones to Motown, featuring meticulously captured amps, cabs, and stomps. This powerful software, usually $99, is your key to deep and round bass tones.
The exclusive freebie is available to new and old Audio Plugin Deals customers through April 17th, 2025. The plugin comes in VST/VST3, AU and AAX formats for Windows and Mac.
OB-Xd is a classic synthesizer that captivates musicians with its rich, full-bodied tones and expansive sound design. Perfect for adding a vintage touch to electronic tracks, live recordings, or film scores, OB-Xd brings unique and expressive qualities to your music. Designed to recreate the Oberheim OB-X, it features enhancements like micro random detuning and unison for a fuller sound. Elevate your studio setup and music production with OB-Xd today.
Designed to be both powerful and affordable, TyrellN6 is a compact but versatile synth based on ideas for a hardware instrument by Amazona (www.amazona.de) that never came to fruition. After many ups and downs with the hardware concept, Urs (u–he) offered to develop a software version as he already had a majority of the proposed features in an early version of Diva. It was eventually agreed that u–he would provide the synth engine if Amazona would take care of everything else, and distribute this version as freeware. The original concept called for a streamlined set of modules, which was retained in the software: No panel switching or menu diving at all ensures a very fast, fun workflow!
TyrellN6 UI
See all features:
Virtual analogue with classic architecture plus extras
2 oscillators, noise, ring modulator
2 LFOs with 8 waveforms, host-syncable
Audio source mixer with authentic overdrive and filter feedback
Twin filter related to Diva (early model)
Analogue-type ADSR envelopes, loopable or LFO-triggered
The original piano - use the mic controls to quickly fade between 5 sets of studio microphones. Recorded with precision
use the mic controls to get the perfect blend for your mix. Studio quality - recorded at Shearwater Studios, the piano has been sampled by professional engineers.
dial in the perfect sound
use the mic controls to get the perfect blend for your mix.
use the 'clarity' and 'room' macros to quickly dial in the right sound.
tasteful FX
use the tone-sculpting controls to spice up your piano playing.
tone
adjusts which note samples are picked, repitching the piano in real-time.
modern UI
mouse-friendly design by imagiro paired with beautiful illustrations by funilab.
velocity curve editor
change the plugin's velocity curve to suit your own keyboard.
microtuning
play to any scale you please. supports Scala files & MTS-ESP.
Lite version includes:
piano sound set
tone control
velocity curve
microtuning support
Sample data file included. However - plugin could download it itself from the Imagiro website.
Place its contents directly into your sample data folder (if installing offline/manually)
Ultimate mixing environment for your HD 490 PRO reference studio headphones. Simulating the carefully designed acoustics of mixing studios to turns your audio workstation into a reference listening environment.
Features:
3 adjustable virtual reference mix rooms with reduced spectral colorization
6 additional, non-studio, listening environments
Spatial Headphone Compensation for all Sennheiser professional headphones
Following the success of its predecessor, PULSE, Lancaster Audio is back with PULSE 2 – the perfect IR loader to complement our extensive library of impulse responses. Using PULSE 2 as your IR loader means you can spend less time sorting through piles of IRs and more time focusing on what’s important: the mix.
PULSE 2 was built in collaboration with Aurora DSP and designed for both aspiring engineers and seasoned pros to utilize impulse responses to their fullest potential. With its unique and incredibly intuitive blending control, PULSE 2 not only allows you to find that perfect ‘Goldie Locks’ sound with ease but the ability to export it as your very own impulse response .wav file!
Best of all, when you open PULSE 2, you’ll be greeted by four impulse responses, hand-selected from our Lancaster Audio Producer Packs—for FREE. Get your perfect guitar sound quicker than ever before.
