Mostrar mensagens com a etiqueta FREE EQUALIZER VST. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta FREE EQUALIZER VST. Mostrar todas as mensagens

sexta-feira, maio 01, 2026

Semedo EQ — Professional 24-Band Equalizer for Windows VST3

 


Semedo EQ — Professional 24-Band Equalizer for Windows VST3

Semedo EQ is a modern 24-band parametric equalizer built for producers, mixing engineers, and mastering-focused workflows. It combines surgical EQ control, dynamic processing, advanced visual feedback, and musical tone-shaping tools inside one fast, visual interface.

Designed for precision and speed, Semedo EQ lets you shape tone, control resonances, tighten the low end, analyse the stereo image, add compression, and apply harmonic saturation without leaving the plugin.

Main EQ Layer.

The main EQ view gives you full control over 24 parametric bands with a clear spectrum display and fast band editing.

You can use Semedo EQ for broad tonal shaping, precise surgical cuts, resonance control, stereo correction, and mastering adjustments. Each band can be adjusted with detailed frequency, gain, Q, slope, filter type, and stereo placement controls.

Key features:

24-band parametric EQ.

Bell, shelf, cut, notch, band-pass, tilt, and all-pass style filtering.

Per-band Stereo, Mid, Side, Left, and Right placement.

Dynamic EQ per band.

Threshold, attack, release, ratio, and dynamic range control.

Linear Phase and Zero Latency workflow options.

Spectrum analyser with pre/post viewing.

EQ Match tools.

Spectrum Grab for quickly turning peaks into EQ bands.

Harmonic ruler tools for musical frequency decisions.

Mono-Below control for tighter low-end translation.

Peak labels, freeze, and analyser response options.

Ear Mode

Ear Mode is a listening-first EQ layer designed to help you make faster musical decisions.

Instead of only looking at a graph, Ear Mode presents the EQ bands in a clean strip-style layout. This makes it easier to focus on what each band is doing: adding weight, removing mud, controlling harshness, opening air, or shaping presence.

Useful for:

Quick mix decisions.

Gain-focused EQ moves.

Working by ear instead of only by sight.

Managing all 24 bands in a console-style layout.

Fast access to band type, frequency, Q, stereo placement, and dynamics.

Perceptual / Mastering View.

The Perceptual View is built for deeper listening and mastering decisions. It helps you understand not only what the spectrum shows, but how the sound may be perceived.

This layer includes equal-loudness-style visual feedback, pinned frequency readouts, low-end translation information, and stereo safety context.

Key features:

Perceptual spectrum view.

Linear vs perceptual frequency readouts.

Delta-style frequency comparison.

Pin important frequency points for reference.

Low-end translation guidance.

Mid/Side and stereo-width context.

Correlation and vectorscope-style monitoring.

Crest / punch information.

Mastering-focused visual feedback for bass, presence, and air.

Semedo Compress Layer

Semedo EQ also includes an integrated compressor layer called Semedo Compress.

This gives you broadband compression directly inside the EQ workflow, so you can control dynamics without loading a separate compressor. It includes different compression characters and live visual feedback, making it easier to see and hear how much compression is being applied.

Key features:

Classic, Opto, and VCA compression styles.

Stereo, Mid, Side, Left, and Right compression modes.

Threshold, ratio, knee, attack, release, makeup, range, and wet controls.

RMS detection mode.

Live gain-reduction display.

Transfer curve display.

Pre/post audio movement display.

Useful for glue, control, punch, and mastering-style compression.

Semedo Saturation Layer

The Saturation Layer adds harmonic colour and controlled drive after the EQ and compressor workflow.

It is designed to add warmth, punch, edge, or heavier tone while still giving you safety controls such as mix, tone, output trim, low/high focus filters, oversampling, and auto makeup.

Key features:

Harmonic saturation and drive.

Clean, Warm, Punch, Crunch, and Smash macro programs.

Drive, bias, mix, tone, output, dynamic amount, and focus controls.

Low-cut and high-cut focus for safer saturation.

Auto Makeup option.

Oversampling options.

Stereo, Mid, Side, Left, and Right saturation modes.

Pre/Post EQ placement options.

Live harmonic and heat-style feedback.

Advanced Workflow Tools

Semedo EQ is made for fast professional workflow, not just basic EQ moves. It includes advanced tools that help you analyse, compare, and make better decisions faster.

Workflow tools include:

EQ Match and reference capture.

Dynamic EQ learn and relative modes.

Harmonic ruler and harmonic pinning.

Harmonic jump and harmonic bloom tools.

Frequency freeze and peak hold.

Top peak labels.

Band locking.

Copy, paste, split, and advanced band editing.

Gain-Q linking.

Preset browser and fast preset workflow.



https://cmdo.gumroad.com/l/sefixr




quarta-feira, abril 09, 2025

ZL-Audio/ZLEqualizer

 


After installation, please load the plugin in an empty DAW session and check its functionality.

Please read

the manual: https://zl-audio.github.io/plugins/zlequalizer/

the plugin installation help page: https://zl-audio.github.io/help/plugin_installation/

Changelog:

BREAKING: use the new compressor model from ZL Compressor

dynamic filters will sound a bit different

dynamic filters (especially if under dynamic high-quality mode) become more efficient

dynamic filters will produce expected results under extreme knee width settings (see #156)

BREAKING: smooth filter frequency/gain/Q changes

quick move/automation of frequency/gain/Q will have fewer artifacts

filter parameter automation will take more CPU usage cause it now changes filters per sample (see the manual)

change the external side-chain button position to the top-right corner

since it is not a per-band parameter, top-right corner seems to be a better place

change several button icons (see the manual)

the old ones are not intuitive enough

add English 简体中文 繁體中文 Italiano 日本語 Deutsch Español tooltips

日本語 Deutsch Español tooltips are translated by ChatGPT. I cannot ensure the accuracy of the translation. If you observe incorrect translations, please report them to me or submit a pull request.

add FFT db scale choice (see #147 and the manual)

add loudness match (see #154 and the manual)

add solo shortcuts (by right-mouse-button double-clicking with Ctrl/Command on the band button)

add side-chain swap (see the manual)

fix macOS standalone audio input permission request (see #146)

fix curve db scale (see #148)

fix multi-band selection (see #149)

improve GUI performance

improve DSP performance (especially for high-order filters and dynamic filters)

improve stability


https://usersdrive.com/xvgnqphamh23.html



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